Hulu's new take on the classic 1990s thriller, 'The Hand That Rocks the Cradle,' directed by Michelle Garza Cervera, is currently generating mixed reviews across social media platforms. The film, a loose reimagining of the 1992 cult favourite, stars Maika Monroe, Mary Elizabeth Winstead, Raúl Castillo, and Martin Starr in the leading roles.
The central plot is a familiar one, revolving around an upscale suburban mom, Caitlin Morales (Winstead), who hires a seemingly perfect new nanny, Polly Murphy (Monroe), only to discover Polly is far from the person she claims to be, with chilling intentions for the family.
The initial reception from netizens, particularly on X (formerly Twitter), reflects a divided audience. While the film is receiving praise for its modern update and lead performances, it's also facing criticism for a perceived lack of the original's tension and campy fun.
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Much of the enthusiastic praise is directed at the film's two formidable leading ladies. Multiple users have celebrated the intensity of the central conflict, with one calling the movie "very much on my wavelength" and noting it was a joy to see Monroe and Winstead "go to war." The performances are widely regarded as the film's saving grace and anchor.
Michelle Garza Cevera’s THE HAND THAT ROCKS THE CRADLE is very much on my wavelength. It’s a joy to see Monroe & Winstead go to war & Ariel Marx’s score feels like it’s being sung by an entity that’s breaking free from the confines of the film itself. Review ⬇️ for @ebertvoices: pic.twitter.com/DHbB08V5cR
— Zachary Lee @CIFF (@zacharoni22) October 22, 2025
Mary Elizabeth Winstead's portrayal of the increasingly paranoid mother, Caitlin, is a particular highlight. One netizen lauded her performance as a "genuinely awards-worthy performance," showcasing the mental strain and isolation of a modern mother whose concerns are gaslighted by those around her. However, even this high praise came with a critique of the visual choices, with the user railing against the character's "godawful green makeup and eye contacts from a hell dimension."
Mary Elizabeth Winstead giving a genuinely awards worthy performance in The Hand that Rocks the Cradle she doesn't deserve Mr Hatman putting her in that godawful green makeup and eye contacts from a hell dimension pic.twitter.com/TE2OtWtu3V
— blue (@words_salad) October 22, 2025
Maika Monroe, known for her work in the modern horror genre, is also drawing significant acclaim for her subtle and unnerving take on the villainous nanny. One viewer was quick to declare Monroe the "finest horror actress of her generation," emphatically adding that her performance was "so good."
maika monroe has to be one of the finest horror actresses of her generation. her performance in the hand that rocks the cradle is SO good. pic.twitter.com/36KCXTtQmc
— nathh (@anittxsiegel) October 23, 2025
Beyond the acting, some viewers appreciated the screenplay's intellectual ambition. The remake is described as an "impeccably-performed" thriller that "introduces neat new subtext, and layers a novel mystery structure atop the original's uncanny nanny thriller." Many who enjoyed it highlighted Cervera’s attempt to use the domestic thriller framework to explore contemporary themes of motherhood, trauma, and class isolation. They felt the changes in the villain's motivation and the protagonist's layered history justified the remake.
Hulu’s impeccably-performed “The Hands That Rocks The Cradle” remake introduces neat new subtext, and layers a novel mystery structure atop the original’s uncanny nanny thriller. But it peters out before going full-tilt campy. Almost something very good! https://t.co/wXHiboxUYf
— Siddhant Adlakha (@SiddhantAdlakha) October 22, 2025
Conversely, a significant portion of the audience is underwhelmed, finding the new version too subdued and slow-paced compared to the iconic 1992 film.
One particularly harsh review mistakenly labels the movie an "inane sequel" (though it is a remake), arguing it fails to capture the thrilling energy of the original. The user complained that the movie chose the "'modernize it' route, becoming a half-hearted, mushy mess of a thriller that isn't worth the time spent on it." This sentiment suggests the new direction sacrifices effective suspense for thematic depth, with the user adding that the characters felt "uninteresting and flat," making the viewing a "chore." Another concise social media review simply stated that the remake was, "unsurprisingly, not good."
It'd be hard to outcamp the original classic The Hand that Rocks the Cradle, but this inane sequel doesn't even try, instead it chooses the 'modernize it' route, becoming a half-hearted mushy mess of a thriller that isn't worth the time spent on it.
— StreamWithKev (@StreamWithKev) October 22, 2025
Uninteresting flat characters… pic.twitter.com/C4VXtnJ2mq
The consensus among critics of the film is that while the new subtext and performances are strong, the movie "peters out before going full tilt campy" and ultimately lacks the memorable, heightened suspense that made the original a classic of the "yuppie-in-peril" genre. Overall, 'The Hand That Rocks the Cradle' is being viewed as a thoughtful, yet uneven, streaming-era update that relies heavily on its talented cast to elevate its lukewarm thrills.
Image courtesy: IMDb
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