Cannes 2024: The Year For India With 8 Great films

The 77th Cannes Film Festival, scheduled from May 14 to May 25, 2024, promises to be a landmark event for Indian cinema, as a diverse array of films from the country take the global stage by storm. From thought-provoking dramas to avant-garde storytelling, these cinematic gems are set to captivate audiences and critics alike.

Indian Films At Cannes 2024

‘All We Imagine as Light’: A Historic Moment for Indian Cinema

In a historic first, Payal Kapadia's ;All We Imagine as Light’ has made it to the prestigious main competition at Cannes, vying for the coveted Palme d'Or. This groundbreaking achievement marks the first time in 30 years since ‘Swaham’ (1994) that an Indian film has been selected for the main competition. The trailer, unveiled on May 8, offers a tantalising glimpse into the film's exploration of the desires and dreams of two women.

‘Santosh’: Exploring the Human Condition

Sandhya Suri's ‘Santosh,’ selected in the Un Certain Regard category, delves into the lives of a family grappling with the aftermath of a tragic event. With a sensitive touch, the film explores themes of grief, memory, and the complexities of human relationships, promising a poignant and thought-provoking cinematic experience.

‘Sister Midnight’: A Director's Fortnight Gem

Karan Kandhari's ‘Sister Midnight’ has been selected for the Director's Fortnight category, a testament to its unique perspective and artistic vision. While details about the film remain scarce, its inclusion in this prestigious section promises an unconventional and bold cinematic journey.

‘In Retreat’

Maisam Ali's ‘In Retreat’ finds its place in the ACID section at Cannes. The film explores themes of belonging and home, as a man returns to his hometown after many years and undergoes a one-night pilgrimage. With its introspective narrative, ‘In Retreat’ promises to resonate with audiences seeking a deeper understanding of the human condition.

‘The Shameless'

‘The Shameless,’ directed by Konstantin Bojanov, maybe a Bulgarian production, but it was shot in India and has been selected in the Un Certain Regard category. The film follows an Indian sex worker on a pilgrimage to a remote temple, where she confronts her past, including a love affair.

‘Second Of November’

A delightful collaboration between France and India, is all set to premiere at the prestigious Short Film Corner, a non-competitive section of the festival. Directed by the talented duo of Chandni Varma and Julie Sanchez, this heartwarming tale follows the dreams of a young boy from the vibrant slums of Mumbai.

With an ingenious plan brewing in his mind, the starry-eyed boy hatches a clever scheme to make his cherished dream of becoming an artist a reality. Brimming with boundless imagination and determination, he embarks on an adventure that promises to captivate audiences with its endearing story and the resilience of childhood aspirations.

‘Manthan’: A Cinematic Gem Reborn

In a testament to the enduring power of cinema, the restored version of Shyam Benegal's 1976 masterpiece ‘Manthan’ will also be premiered at the 77th edition of the Cannes Film Festival. This iconic film, which explores India's ‘White Revolution,’ has been meticulously restored, allowing a new generation to experience its timeless storytelling and cultural significance.

Don't Miss:Cannes 2024: Real Story Behind Shyam Benegal's 'Manthan'

‘Sunflowers Were The First to Know'

Adding to the diverse lineup is ‘Sunflowers Were The First to Know,’ a short film directed by Chidananda Naik, a student from Film and Television Institute of India (FTII). The film, which will be competing in the La Cinef section, tells the story of an elderly woman who steals the village's rooster, causing chaos in the community.

With such a diverse and compelling lineup, the 77th Cannes Film Festival promises to be a true celebration of rich Indian cinema.